
From the Boston Music Hall Program, week of June 23, 1902.
Boston Music Hall- JAPANESE TEA GARDEN.
Our patrons are cordially invited to visit, without additional charge, the Japanese Tea HOUSE and GARDENS in the lower hall, formerly known as Bumstead Hall. transforming this chamber into a picturesque Japanese miniature, the management has sought to provide its patrons with opportunity for pleasant intercourse, and especially to provide a dainty and novel retreat for the ladies and the children.
Tea or Coffee, with or without creams will be served free from 12 to 3 and 6 to 9 pm.
It is impossible to paint in colorless words the wondrous color scheme which presents itself in this bit of Japanese land. Credit for the charming effect is due chiefly to Sir. Yamasaki, without doubt the most gifted Japanese landscape painter now in the country. Entrance is through a typical gates of Japan, narrow and winding, with a thatch roofing over the door fill. To the immediate left is the Tea House itself, radiant with its striking colors of green, amber, red and black. The door way cover is also thatched, and the effect in the rear of the house is of a veranda reaching out if I a mildly-flowing stream, besprinkled with little Summer houses set up on piles.
Next in the circle comes the Wistaria Garden with purple and blue as the dominant colors. tiny bridge connects this garden with the chef orchard which faces the entrance, and which is perhaps the most charming spot in the chamber. The scene painting here is remarkably illusive, showing a path winding through the orchard and defying the eye to determine where the painting leaves off and where the artificial grading begins. What seem to be real cherry trees, with myriads of blossoms, sweep the passer-by, and subdued electric colored lights heighten the effect. Apparently from the trees may be heard the appealing twitter of birds, and one can almost scent the sweet aroma the foliage and blossoms.
Then comes the Japanese Temple of Art, which is occupied by Mr Yamasaki in person as a studio for painting genuine Japanese souvenir art studies of every description. A little further along is the Good Luck House another resort for infantile and youthful spirits. Between these two edifices is a other masterpiece of landscape painting, the Sacred Mountain (Fujiyama) At its base is a rice field bordered by chrysanthemum beds—all making variegated and fascinating picture. Next to the Good Luck House is the exit, designed after a typical gateway to a prosperous Japanese residence. In the space bounded by these scenes is a fountain of running water. A rustic bridge curves gracefully over this waterway in which hundreds of little goldfish dart restlessly about, and makes part of a path through which visitors pass. All about overhead are Japanese lanterns and umbrellas. When lighted the former give forth a beautiful effect to the scene, and unimaginative indeed must be the person who cannot fancy himself or herself for the time in picturesque Geishaland.